Yankal Krümmel’s revolutionary view on tales of the Blajini

Feast of the Blajini

Among rural people in Romania and Bessarabia there is a widespread belief in the existence of the Blajini, they are beloved by both God and Krim because of their purity, innocence and moral neutrality.

Children and women throw the shells of easter eggs into the many tributaries to our Mures, while the men smile at their childish (and womanly) joy. How simple they are! Their belief is that all rivers and streams will flow into a single flood, the river of life, and along this the Blajini lives. The blessed creatures will then find the shells, and thus know it is time to celebrate the Easter feast.

blajini-dobre-dobre-si-si-si
What is that in the river? And has the rhubarb already grown tall, now, in spring? Surprising and pleasing, this leafy creation!

Blajini and the Eternal Man

It is said that the only man ever to pass back and forth between the realm of the Blajini and the realm of common men is Krim the Eternal. He is said to be the father of the Blajini and at home in their realm. The Blajini loves their father, and likes nothing more than to celebrate the Easter feast in Krimean fashion.

What ship may sail the river of life? Will Krim voyage on the ship of His eternal son, Livare the soulless sailor? Or will He swim and wade, back and forth, from our world to theirs, as time and ages pass by?

Livare and the soulless children

However, not all sources claim that the Blajini are of good and blessed nature. Old Yankal was a hefty critic of this view. In, among others, the Matrice Granit, Blajini are referred to as dead children who did not receive the benediction of the Holy Spirit. That they are the children of Livare, and like him soulless!

Old Yankal has been criticized for this view, but who are we to judge? We know so little of Krim, Livare and the children, compared to the knowledge and wisdom of Old Yankal.

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The sixteen shades of Phong

The sun with light
Intense and true
Shining on
Our Earth, Phong-blue.

Phong saw a world of light and colour. The rainbow was

  1. Phong-blue, like oceans and Mures Grande fair. Specular, spectacular!
  2. Phong-green, like grass and woodlands. (who is that wild Krim on the trail?)
  3. Phong-red, of Blood and apples, and the coat of Krim (peace be onto Him).
  4. Phong-yellow, of sun and concentrate of pérè (Majahi-na-Majahi)
  5. Phong-pink, as sweets for children and of feminine homo-gay (Fuj!)
  6. Phong-purple, of the halls Kings and of Emperors!
  7. Phong-brown, of soil so fertile and of almonds roasted! (help yourself)
  8. Phong-orange, of flowers and flame! 
  9. Phong-sky-blue, like the sky!
  10. Phong-white, of snow. Cold and harsh. 
  11. Phong-diffuse, Suddenly the colours faded! Spread thin over too many objects.
  12. Phong-fog, and then they became it was unclear! 
  13. Phong-gray, of ash and destruction, of uncertainty,  would it be light or dark? 
  14. Phong-shadow, it came over him.
  15. Phong-black, light was gone. Every colour dead. Phong was afraid!
  16. Phong-darkness. And he fell to un-logik, poor, foolish Phong!

Ultimately the rainbow had betrayed him.

Every soul,
I think, in time
Is captured in
Sistem sublime.

The tragic Livare, condemned to an eternal soulless life

In pre-ancient times the spirit of Kyrim created Man and Woman. He was Livare, She was Flynn! Yet Kyrim the Great made but one mistake! On that dreaded Night of Obligations His Son was not given a soul, no Spirit, no life force.

So was the creation of Livare, the premier tragedie.

Oh Livare, the Tragedy you are.
Alive, yet not living.
You smile, yet you cannot feel happiness.

Majahi Livare!
I pray for you.
Will you ever be releas’d  by Death?

Livare my Livare,
are you doomed to forever be
Kyrim’s single mistake?

Cursed, Livare embarked his ship and set sail. On to that eternal gray ocean. Cursed to forever sail the eternal sea, to search for a soul, until the end of time.

And for ages he sailed. His body beaten by salty waves and harsh weather. His skin scorched by the burning sun and withered by that most treacherous enemy of all (young) men, time. His face grew old and its features diminished. But he sailed on.

The tragedie of Livare is not unlike the tragedy of all men. We must all segel & sail on restless seas, hoping to find a calm shore where Krim may receive us. But beware of the skerries of the Outer and Lesser Lindees, for un-logik is there! Yet mortal men are blessed with mortality, our search will soon end. Livare is cursed!  Forever will he sail, searching for his Father’s realm, that Majahian Kronkolonie, on those Greater Lindees.

Oh, Grande was his shape!

His Body, pink and massive! His face, one of mosaics many. Yes, He is a theme much coveted in art advanced. By artists in studio, in creative freedom.

Paint the many pink faces of the body.
Paint on a canvas blue of spirit!

Oh, Grande was his shape.
Olé! Olé!” they sang!
And the hairless pink creature danced!

Is He there?
Shining pink,
in the gray-area?

Is He there?
Under the bridge,
gazing into your soul?

Is He there?
In the hallway,
in your nightmare?

How He became so big, no one knew, ‘cept perhaps Ulvic!

Proud Hindoo! Wisest of the East

I see into divinity
I see the answers, there
I will now apply them

Here and everywhere

  • Guru Rohit Verma, Procession of the Krimean Followers through Winter Worlds (Sayings, 12)

red-and-gold

Since times immemorial the Hindu has praised gods uncountable. It is he who at the earliest stage understood the multiplicity of the divine, and so touched upon Krimean gnosis.

The seeker Rohit Verma, acknowledged guru, was a great traveler on the quest for Krim. If only we would listen, if only we would heed his call.

Kneel! Kneel.
Feel!
I see cones of light emit
I see tallest taurus, Krim.

What horns grow below soft skin?

  • Guru Rohit Verma, In Debate with the Masters of Evil Reigns (excerpt from chapter 12)

 

The unjust Murder of the Krim language

In old Africii, Oh the tragedy! They are now less than a score, those who still talk the true Krimean letters; their tongue all but incomprehensible to foreign ears.

In old Africii, would you believe? A language without impurity, without those internal inconsistencies. Yet, now dying of old age or pure evil.

In old Africii, in hills of Lions and Men. An unjust murder takes place, the murder of knowledge, culture and fine art. Oh, those Krimean letters, who would destroy them, remove them from our world?

– Stanislav Peev

krimlang

The Krim-language found in west-Africa (also called Low-Krimish or Krïmé Noir) is the very last remains of High-Krimish, a language used by wise men, scholars and heretics in vast areas of the huge landmass so aptly called Lumea Veche. It is said that the Krimish tongue is the last remains of the words of the Old Hindoo Gods, that speech of Viṣṇu Himself.

Kydje pentru aytona ceai sălbatice şi de dans plöppen
Varsta Ploppel é stenj o grădină!
Majahi Livare Ploppel!
Ploppel vechi austriac Kodna electronic simplu de.

Poem in West Neo-Krimish

In Rau Cartuar’s great work, Istoria Africii (1923, Ostuda Press), the migration of the Krim-letters are deeply discussed. He is especially focused on the use of Krimish in the culture of the Egyptian and the Moors. He argues that the Krim-spirit is the very foundation, the bedrock, of these great civilizations. The high culture then spreading to lowly lands of early Europa, making also these lands and cultures flourish.

Majahi, na Majahi! Majahi Ha-mare Livare Im Mu’n use; Livare kyrim Lynn-Majahi!

High-Krimish prayer

In modern times one must only pray for the last remains of the Krim language, for it is subject to hardship and violence. For many years it has dwindled and with it great cultures are shrinking away. The un-logic has infected its lands, murdering it slowly.  Now only a few old men know the true Krim words, hidden in the mountains of lions, down there in old Africii. Celebrate the dead, but grieve for those who are unjustly murdered!

When in dream

When in dream where none is real
When in dream, where in dream
Where in dream is found true truth
Where in dream, why in dream
Why in dream is glass transparent
Why in dream, how in dream
How in dream is dream unending
When in dream where none is real

So did one Tan Angerer speak. Noone heard, noone saw. Oh, oh, ayem, ohm! These were sayings of ancient belief, of kingdoms come, of kingdoms gone. Only loss is gain, only loss!

Krim, you of old! Shed light, shine bright. I am alone, sisterless, brotherless, without family, father to none, child of darkness. I pray, Krim, and you do not answer. I pray, Krim, I pray!

This is the ancient tale: One wandered in woods, without torch, without soul. One snapped branches, shed tears, all future broke before him. “Fuj, what thick woods are these!” All future, all past, all was in view of the wanderer, all was in mist.

I never saw him again. Not in dream, not under star nor sun. May darkness guide him, as only darkness can. Why in dream, Krim, why only in dream?

Johann: on the arch-Angel Myklye

Who art thou, Johann? Without hesitation, you are in control of all life; all death. Even Angel Myklye!

Yoham and I, we danced with Death, oh! Oh! Death, what step, what groove, what hop of the Lindees! Are you of Mortales? Hop, hop! Yoham you Jew of infinity! Thine hair; silver! Shine!

Ohm, Yoham, you moon! Proud, proud moon! Of silver, of gold … you ghost! Leave us not …

Our body suffers, he sleeps, he is of strength diminish’d! Yoham … You, mine Lad, of orthodoxy not-too-strong, of freedoms and Judaism mystikal! Logik, Yoham? Art thou un-logikal? Like that! fair Moomin? Ayem ayem oh!

Ohm, Brandon, Proud Hindoom, Proud Yew!
Ayem, ayem ohm!

Art thou Dath? You age, ancièn, silver, Gray!

Brandon the Ladd (Die Ungere)

Art thou cursive? Yes, there is more in ancient Pikkiya, country olde … Brandon, Brandon, on knoll so green, so mystikal! Aye, I can speak no more, I have no voice, I am Sound!

Yan-Olaf of the Mountain, speak my words, speak ungrammatically, speak freely, free, Free! Angel Myklye!

The most dangerous Krim of all; the double Krim

The lore of Krim touches both fiction and reality. He confirms and contradicts himself. Is He of one? Is He of many?

How can our minds comprehend, that who must be, the most dangerous Idea of all?

Those that deny Him, may suffer tautologies so deceiving that their minds fall into that Hellish state, that very X-apocryphal logik. However, we cannot say that they are wrong to refuse Him, for a mind may be to small and narrow to master and perceive the Jacobian tales that moves beyond fiction.

He is of one, and He is of many! He is father of fantasy and reality. To Him they are one!

Those who believe in Him, deserve no suffering. But their mind will not fully understand his intentions, and doubt will certainly reach them as well. It was so for Johann, Rau, Ingo, Jurii and so many others. His strength and wisdom is so enormous that our feeble minds cannot fathom it.

For I have gazed upon Him, that ghost, that idea, that most powerful creature..